Without further ramblings, here are the details.
Pattern: Vogue 1435 a Tom and Linda Platt design. I made several changes to the design, some of these were design changes and some were fitting changes.
For Design considerations of the dress. I changed the neckline of the dress to a soft, high V neck. I think next time I make this sheath I will deepen the V about an inch. I also left out the slit at the front left leg, I'm not such a big fan of them and I don't think I've ever made a skirt so tight that I actually need one for walking comfort! Although, as a design element it may be something to play around with in the future. For the lining, I eliminated the facings and lined to the edge. I used a grey ambiance and interfaced the lining just as if it were the actual facing. This worked out perfect! I finished the armhole edges with bias strips. I like how this finish is very clean and also feels slightly sturdy but not stiff or bulky.
If you are wondering why I choose grey lining? I took my pink wool shopping with me and I held the lining fabric behind the pink wool and observed the color changes. Even though this is a very opaque weave the color behind changed the vibrancy of the pink color. I wish I had taken pictures! I sure the shop ladies thought I was a bit crazy! Unrolling bolts of lining and holding them up to the light and turning this way and that to assess the color! The grey won out by a very large margin! The pink just popped and was so vibrant with the grey behind it!
On the dress I made several fitting changes to fit my figure the biggest of these included adding a fish eye darts to the front side panels and changes in length to the back upper bodice area to decrease the pool of fabric at my lower back.
The darts were added after an initial fitting in the fashion fabric. I was able to pinch out the fabric and I fiddled in the mirror with my pins to figure out the placement and size. These I then transferred to the pattern. For full disclosure, on my muslin it was also decided to use either fish eye or full darts from the top of the fish eye and continuing all the way to the hem. So I knew that I had a good idea ahead of time that I would be adding in some sort of shaping in this area! I really like how these added darts make my curves look so beautiful!! It also keeps this sheath dress form looking like a potato sack on me!
Onto the Jacket!
Design changes to the jacket included the decision to line the entire piece. I used the facing pieces for the proper weight and for the lining I lined to the hem edge. I did this by cutting the lower edge of the lining a scant 1/4 inch shorter so that once the two were stitched and turned the fashion fabric would roll to the inside slightly. I think this worked perfectly on this little swing jacket!
I also used several different fusible stabilizers on this piece. A sponged one on the back facing and a slightly beefier one on the collar.
The fitting changes I made to the jacket were numerous! It was just a very boxy little jacket with all its laurels resting in the swinging back. 2 sets of darts were added to the front. One armysyche bust dart and an additional dart under the bust to control the fullness of the fabric. I wanted the front to be fitted and sleek and all the drama to be in the back. I could also cut the fronts on the bias which would let the fabric under the bust hang nicer. I choose not to do this with this fabric mostly because I had to squeak out the fabric. I think I was 3/4 of a yard short in what the pattern suggested! Back neck darts or are the upper back darts???? Hmmmm..... I'll have to look into the proper name. Either way, these back darts were added to shape the jacket nicely. I modified the collar to reflect this change.
Speaking of the collar... I am pondering changing it to a mandarin type band collar if I make this again. Pondering, always pondering!
The biggest change on the jacket was to the sleeve! Both for fit and design. I used a 3 piece sleeve with a bias under sleeve. I am in love with this sleeveđź’–, I just fits like a dream and added bonus it leaves plenty of area for embellishments. Embellishments such as a faux vent with 9 vintage Czechoslokakian glass pink and gold buttons! I just happened to have a card of 25 buttons in I my stash! By faux vent I mean it just does not have any buttonholes. I sewed the buttons on through both layers of the vent opening. Vintage glass buttons to the elbow added the extra pizzazz to this outfit that I was looking for!
I order to keep the sleeve vent neat and nice I hand basted it shut before sewing on my embellishments. At this point in my project I had 2 ideas for how to jazz up these sleeves. One is a beaded trim and the other is the buttons that I used. Both looked quite nice but the buttons gave me the elegance I was looking for and now I have the trim to use for another project.... Resulting in another serious case of pondering!
Since completing this garment in September I have worn it three times in 3 weeks!!
Week one: to a wedding in Milwaukee, WI
Week two: to the ASG Chicago chapter annual fashion show.
Week 3: another wedding on Halloween, a formal wedding/masquerade. Oh my so much fun! And I have never been so glad to have a garment that fit me perfect and that was so comfortable because I danced my a$$ off that night! Here are a couple of fun photos!
So... Do I love this outfit???? YES!
I will be making the dress again for sure. The jacket, maybe for special occasions, it is a very distinctive look.
I do want to give a big thanks to Sarah Veblen for her fitting assistance in the muslin stage of this outfit. It is so nice to have someone to bounce ideas off of and have a brain to pick :)
Happy Sewing!!
Love it--looks great on you!
ReplyDeleteThank you Robin!
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